Cattle Branding, Pampachiri, Peru

Cattle Branding Ceremony, Pampachiri, Peru from The Seedling Project on Vimeo.

For your viewing pleasure I have put a very simple video of a cattle branding ceremony up on vimeo. This is very much an anthropological experiment—there are so many records of events that Hannah and I filmed when we were in Peru that don’t really fit into any specific narrative arc but are enlightening simply in how different they are from life in the U.S. I also feel that this kind of minimal editing fulfills some of the promise of the original Seedling Project proposal, which was to record methods of Andean farming before they are lost. When I wrote that proposal I thought I’d come back with a tidy list of how-to advice on terrace farming like the Incas did it. Once I was in Peru I could see that individual tips and tricks of farming (start your plowing on the outside of the terrace and work your way in, for example) are really quite useless unless taken as only a part of the whole. How different life is there! I could not expect us here in California to elect three water mayors per town (every year) and for them to run along the canals every August to see that they are in good condition. Would you dig up a bottle of homemade hooch from last year and drink it down though it has a little dirt in it, and bury a new bottle along with a few coca leaves and a prayer for a good harvest? I suppose if you are reading this blog you just might.

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January in the garden

Bare root now and reap the benefit later... apples.

Bare root now and reap the benefit later... apples.

This is the month for pruning and for reading seed catalogs—armchair gardening. My current favorite catalog is The Natural Gardening Company’s comparatively thin but well-curated missive from Petaluma, California (it’s local for me, that’s part of why I love it). I also subscribe to Johnny’s Selected Seeds because my dad always did, and Seeds of Change because it’s gorgeous and it’s a powerful good idea.

But really what I want to recommend is that you buy a book about your local gardening, and for Northern California I love Katherine Grace Endicott’s Northern California Gardening; a month-by-month guide. Whenever I look out my window and I’m not sure of what I should be doing next (and I can’t remember which chores Sara Winge, my gardening mentor, would give me this time of year) I turn here. This is where I first learned of bare root plants and I love the idea so much I think about it all year. Winter is when plants are dug up that are dormant and they are sold without soil—they’re easier to handle and therefore less expensive. Think of apples, pears, roses, vines, shade trees, berries, rhubarb, artichokes! And if you plant them now they will be in a good position to make the most of the slowly shifting temperatures and transition strongly toward big bushy joyous bounty come spring and summer.

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Danzante

Danzante from The Seedling Project on Vimeo.

This is a video I made for a post that my good friend Meara O’Reilly wrote for the SF MoMA blog a while ago. I’ve partially edited a longer cut with more dancing, but I’m having a hard time deciding how long each cut should be, and what to do about jumps when I cut between scissor dancer clips. There isn’t really enough of a story about any of the dancers. When we were in Peru we were thinking mostly of agriculture and not dancing so we just kind of blindly (though enthusiastically) archived this. Looking back at it, this is one of the easiest indicators of how different and isolated the Andes are from western culture. Though there’s clearly break dancing moves sometimes! And you can watch loads of it on youtube (search: danzante)!

For example:

And because I’m starting to reminisce, here is ONE more. This is a song. I’d never heard these ladies before, but I’ve been to Puquio and when I go back to Peru I will most certainly be passing through Puquio on my way to Andamarca. And eating Peruvian porridge in the market. And having one last slice of pizza. This type of music is de rigeur in the highlands—playing in every combi van, bus, and restaurant.

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Re-examining old work

Turning over soil for planting, Ccenta, Pampachiri, Peru.

Turning over soil for planting, Ccenta, Pampachiri, Peru.

One of the things I’m going to do with this newly updated website is look over old images taken on my first two trips to Peru. The scope of agricultural land that has been abandoned is almost impossible to comprehend—it’s visible across the slope, lines almost appearing to shift like an optical illusion when you look at it straight on. When farmers farm here they have brutal hikes up and down the steep incline. The hikes alone knocked me out when I was there, but the people who hike them every day do so nimbly although they are burdened with plows and babies and lunch. In this photograph the woman who stands looking back is the owner of the chakra, or plot, and she had recently moved back for part of the year to work the land almost as a kind of retirement hobby with her husband. This kind of influx of new/old faces is a boon to the local economy, which is suffering badly since the terrorism years of the 80s and 90s.

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Andamarca

A selection of images taken on an eight-month stay in Andamarca, Peru to learn about ancient farming methods from people who are farming the same way their ancestors did.

A farmer in Andamarca, Peru, with andenes ready to plant in the background.

A farmer in Andamarca, Peru, with andenes ready to plant in the background.

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The Seedling Project

A woman weeds a maize field in Andamarca, Peru.

A woman weeds a maize field in Andamarca, Peru.

In ancient times the Incas fed an empire with marginal land utilizing sustainable farming techniques—even managing to store 3-5 years worth of extra food in case drought, hail or frost ruined a year’s crops. These methods must be documented before time irretrievably alters them and the knowledge is lost to us and future generations of sustainable farmers.

Farmers in Peru utilize ancient terraces, called andenes, to modify vast tracts of steep cactus-covered slopes into arable land, prevent erosion and make the most of what rain comes along. While malnutrition and poverty are rampant, thousands of hectares of andenes lie abandoned and unused. What began as a mass exodus from the country to the cities in the age of Sendero Luminoso is now reversing itself, as people move back to the land of their birth.

The project is directed by Andrea Dunlap, who has worked variously as the archivist for Makani Power, the director of design and production for photo-journalism book publisher Umbrage Editions, and various and sundry other companies, publishers and magazines, including Farrar, Straus & Giroux, National Geographic Adventure magazine, O’Reilly publishing and for her dad, the Gentleman Farmer (in no particular order).

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